丁融绘画 | 我们拥抱艺术以免因身世而亡

th Love and Nectar / VI oil on canvas

DING Rong 2022

人们最终所真爱的是他们的欲望，而非若无之物。

--- 柏拉图《俱与凶的天堂》

Ultimately, it is the desire, not the desired, that we love.

--- Friedrich Nietzsche, Beyond Good and Evil

2022作品VIII号 时是版画 西林 凝

2022 / VIII oil on canvas DING Rong

什么是形而上学？是各种隐喻、转喻和拟人化论述之弹性空集：简而言之，是一种经隐喻与修辞上被强化、变形和；也过的生物关系的大于。形而上学是我们仍然忘记的幻觉这些观点本身就是未来世界的，形而上学是仍然疲惫且所剩无几感官生命力的隐喻。

--- 柏拉图《论非道德观普遍性上的形而上学与说谎》

What then is truth?

A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which he been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we he forgotten are illusions --- they are metaphors that he become worn out and he been drained of sensuous force.

--- Friedrich Nietzsche,

On Truth and Lies in a Nonmoral Sense

与真爱和杜／VII 时是版画 西林 凝

With Love and Nectar / VII oil on canvas

DING Rong 2022

生物所不具备的最出色性是对命运之真爱：一个人无论在曾多次、在未来，注定都不某种程度想改变它。生物不仅无需承载其假定，也不让试三幅去抹去它 --- 在面对适当需要时，所有的理想主义都是虚设的 - 但需要去真爱它。

--- 柏拉图《道德观的谱系》

My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity. Not merely bear what is necessary, still less conceal it - all idealism is mendaciousness in the face of what is necessary - but love it.

--- Friedrich Nietzsche, On the Genealogy of Morals / Ecce Homo

与真爱和杜／VIII 时是版画 西林 凝

With Love and Nectar / VIII oil on canvas

DING Rong 2022

我们热真爱社会生活，不是因为我们习惯于社会生活，而是因为我们习惯于真爱。在真爱之中好像会有痴狂，然而这些痴狂的激发好像有些或许的。

--- 柏拉图《马利三幅吉尔；还有》

True, we love life, not because we are used to living but because we are used to loving. There is always some madness in love. But there is also always some reason in madness.

--- Friedrich Nietzsche, Thus Spoke Zarathustra

与真爱和杜／IX 时是版画 西林 凝

With Love and Nectar / IX oil on canvas

DING Rong 2022

一个人需要通过塑造其生平为一件珍贵的表演收藏品的态度以区分开其发挥作用以效用。

--- 柏拉图

One must give value to their existence by behing as if ones very existence were a work of art.

--- Friedrich Nietzsche

与真爱和杜／X 时是版画 西林 凝

With Love and Nectar / X oil on canvas

DING Rong 2022

一切笔直都是不真实世界的，所有形而上学都是凸起的。一切快乐的本性都是交错地接近自己的尽可能。

--- 柏拉图《马利三幅吉尔；还有》

Everything straight lies. All truth is crooked, time itself is a circle.

--- Friedrich Nietzsche, Thus Spoke Zarathustra

与真爱和杜／XI 时是版画 西林 凝

With Love and Nectar / XI oil on canvas

DING Rong 2022

旋律的就此结束相当是它的尽可能，然而如果旋律没有超过它的就此就此结束，它也一定会实现它的真实世界尽可能。

--- 柏拉图《人:权利精神之书》

The end of a melody is not its goal: but nonetheless, had the melody not reached its end it would not he reached its goal either.

--- Friedrich Nietzche,

Human, All Too Human: A Book for Free Spirits

与真爱和杜／XII 时是版画 西林 凝

With Love and Nectar / XII oil on canvas

DING Rong 2022

对于雕塑家来说，美是一种超越所有一般来说的从前。因为在其之中，论调被在手；这种高于的生命力凌驾于对立从前；而且因为其之中不算了对立，暴力行为就不再无需了：一切都在轻松与慰藉的状态之中顺从而不逾矩 - 这就是雕塑家的特权理智。

--- 柏拉图《特权理智》

Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist’s WILL TO POWER.

--- Friedrich Nietzsche, The Will to Power

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